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Screenings and Events / Our Festivals / Extremely Shorts Film Festival / Extremely Shorts Archive

Extremely Shorts Film Festival Archive


Review the history of Extremely Shorts Film Festival and meet the artists who have helped to shape and grow this festival from 1998 to present.

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Extremely Shorts 14
June 17-18, 2011

Juror: Brent Hoff, Wholphin DVD


Mini by Bryan Arguello
The Woodlands from above.

Ad Astra by Leslie Ash
Ad Astra presents a glimpse into an individual’s past, present, and future. The story explores the relationship between now and then, here and there, reality and fantasy, and life and death.

The Face Shop by Noella Borie
A dark animated comedy for children about a boy called Faceless Neil.  Will Neil find a face?

Try To Say by Noella Borie
A traditional paper cut animation for a music video from Lauren Molina’s album.

What It Feels Like for a Girl by Eric Dano
A poem.

The Rules of Attraction by Mel Edelman
At one point in my life I was an active participant in the computer-dating scene. In the process of reviewing many hundreds of photographs, some interesting patterns began to emerge.

Take My Hand by Karina Farek
A short film combining stop motion and traditional animation in which two pieces of paper try to escape the mundane life of being stuck to a bulletin board.
 
Captain Jack by Karina Farek
A space-age bounty hunter relentlessly tracks down the fugitive "Captain Jack" within a high school. This film combines stop motion and traditional animation in a large environment.

Announcement by Joshua Funk
A Woman makes a big announcement to her friends.

Kataklysm by Kat Goins
An experimental video that presents a grid of performances.

Anything Else by Case Hathaway-Zepeda
A man transforms himself with a haircut.

Please Come Visit Ivanhoe by Otis Ike
Please Come Visit Ivanhoe is an experimental piece in which the layers of a rural Appalachian streetscape are bequeathed a quality of magical realism through the fantastical interpretations of a Ty King.  Raised by his grandmother, Ty’s relishes in interpreting the homes by their flower arrangement, snake infestations and beautifulness.  Ty’s mysterious vocabulary over the backdrop of Ivanhoe reworks the semi abandon town into an eden of Appalachian mythology that must be visited.

America by Mark F. Kindred
A large man suits up for an operatic jog through the park, but to what end?

Heliotropes by Michael Langan
The parallel goals of man and nature through the most primitive and sophist acted means, to simply stay in the light

Revolution by B. Lynch
Revolution can mean an upheaval or a circling back.  The fantastical imagery in B. Lynch's Revolution is of radical change as the charlatan tells our "fortune".  Our fortune ends like all, in decay.  This meditative yet slyly funny take on life and death is accompanied by a tongue in cheek song--"It's a Wonderful Day".

We Need A Bike by Molly McIntyre
What does it mean to be safe?

Despejado by Antonio Pérez
A few clouds in the sky and something shines far away.

How Do I Look?  By Alexandra Roriguez and Alanis Castano
A boy gives his eyes a break after a big starring contest.

Carbon Study III by Sarah Rushford
Carbon Studies III, the third of a series of vignettes shot in Berlin in the summer of 2010, is a lyrical piece with a tone of vulnerable transcendence. It is informed by Berlin’s unignorable history.

Elle Be Jay by Melissa Tran
This text-based video visually highlights a long forgotten (and widely unknown) phone call made by a widely known man. 

Paradise Beach Resort by Christine Veal
A private beach resort that starts off as a picture perfect place to relax, but has uncomfortable consequences

Tropical Burrowing Peach Worm by David Waddell

A nature documentary, which shows the survival of an exotic underground worm.  What happens when the maternal figure comes above ground to save her offspring?


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Extremely Shorts 13
June 25 - 26, 2010
Juror: Donald Harrison, Ann Arbor Film Festival



Anatinus, David Wanger - Anatinus is a musical cinematographical voyage into the hazy early hours of the day. This film was shot in Greenpoint, Brooklyn with no budget, using a pocket-sized digital camera. No giant rubber ducks were harmed in the making of this picture.

Bobby Visits the Library, Eric Krasner - A comedy mash-up where Eric draws upon his vast collection of vintage 16mm films to produce all sorts of visual goodies which he likes to call, "Manipulated Movies.” This film is dedicated to librarians world-wide. You are the kindest, most generous and helpful people in the universe.


SNAIL, Sharad Patel -
From a starting point of what seems to be a projected narrative, the viewer’s perception of context spirals slowly outward into shifting contexts.


Las Ultimas en Sexo Grande, Stephanie Saint Sanchez - Can Mortal Sin be Too Far Away? Somewhere in TVLANDIA, an all Female Super Squad Las Ultimas (Frida Kahlo, La Virgen de Vigilante and Sister Rolla) rush to save a young teen on the verge of succumbing to La Pecado Picoso (the hot sin) set off from an Erik Estrada Pin-up.


The Unforgettable Dawn Hampton, Julie Cohen and Alex Lowther -
Ms Hampton started out as a three year old saxophone player in a family band and went on to become a cabaret diva in Greenwich Village gay nightclubs. Today, at 82, she teaches swing dance to students and fans all over the world. This film is a slice or her remarkable story.


Hand gLove, Karen Ostrom
- Hand gLove is a playful musing on gesture, harkening back to the amputations and the anthropomorphizing of body parts by the Surrealists. The animated narrative plays out a tryst between two hands that is divisively ambiguous in both conclusion and assigning gender, inviting the viewer to privately project their own conclusions.


Approaching Stars,Atton Paul - A little boy looks up at the stars and contemplates the vastness of space while imagining himself to be an astronaut. His mode of transportation on the ground is his trusty tricycle...yet in space...he could be in a rocket! Filmed with a PXL-2000 toy video camera (circa early 80s) using multiple layers of glass for reflection and depth of field. The music was made with toy keyboards found in thrift-stores and recorded onto 4-track cassette.


Follow Me,Kahori Kamiya -
I started with Netflixing several hundred movies to collect scenes within which an actor/actress/animation character says "follow me" based on specific situations. I then Twittered the actions or ideas highlighted or implied by these situations. Through this work, I attempt to interrogate human authority, power relationship in gender, and the need for popularity – all connected with the keyword,"follow me."


Bookstopped, David Purdie -
A “film within a film” that revisits the Bookstop, Houston's former Alabama Theater, to watch an “extremely short” film on the screen that was once there.


Accelerando Nonsense: Pie in the Sky,Brenda Cruz - Accelerando Nonsense: Pie in the Sky covers a musical dream of tempo. To dream is a time based movement and for the main character it’s much more, reality moves at a fast tempo but dreams move just as fast. Music and tempo come together to bring life to dreams and reality.


Spaceboy,Matt Choi-Simply animated hand drawn art accompanies a whimsical, haunting song resulting in the mood of a children's book. A boy and his teddy bear go on an adventure.


Short Stitched, Jenalia Moreno-After unexpectedly losing his job, quilter Randall Cook made a piece of art depicting a male nude and his piece caused quite a stir amongst traditional quilters. We hope to create a longer documentary about controversial art quilters and call it Stitched.


Bulldozer,Melissa Hung-In this music video for The Invisible Cities, a toy bulldozer with an affinity for whiskey and records heads out for a day at the beach with friends only to find it closed. Oh no! What to do?!


Moving Pictures, Mike Kirby-Moving Pictures is an experimental stop-action video showing middle school students entering and moving through the schoolhouse. As the title suggests, this video shows a sequence of about 1,250 posed photographs that create the illusion of movement.


My First Cricket Match, Amanda Nguyen-This video was filmed & photographed in Melbourne, Australia after my 5th night at my new house with my new housemates. My First Cricket Match was produced 2 weeks later. All Cricket field shots and videos were taken in 15 minutes (3:19-3:33pm on 22 February 2010) after we furnished our back garden w/ a free table from our evicted neighbor's trash pile. All photos, videos, & production are by my own eyes, fingers & Mac.


La Piñata, Manuel Arija-Can a street mime cheer you up?


The Long Sleep AKA Kundalin,Jen Inman-The Long Sleep AKA Kundalini is about the feeling of being awake when you are actually sleeping, both physically and metaphysically. The video was made through a combination of computer animation and traditional frame-by-frame animation techniques. Special thanks to the Carnegie Mellon University School of Art and the Fine Foundation for their support.


Dial Up, Morrisa Maltz-Dial Up is a video art piece, in which I also built the sets, costumes, played the roles as well as edited and shot the video. The video uses the vintage sound of "dial up," Internet accompanied with a variety of images.


Being a Hippopotomonstrosesquippedaliophobic, Felipe Ruiz Reyes-A short animated mockumentary exploring what it is like to be a Hippopotomonstrosesquippedaliophobic, which is defined as a person with a fear of long words.


Follow Me, Melanie Beisswenger-Images and sounds flow together, like fleeting thoughts shooting through the mind. This experimental video combines images, movement and sound to a pulsating unit, taking us on a journey into the unknown.


Oblivion, Simon Peña-Awareness journeys into the realms of oblivion.


Wasteland, Kathleen Quillian-Through stop-motion animation, Wasteland follows the path of the industrial food system from field to table and back and shows how the industry operates at the expense of the health of the society it was designed to nourish.
 

Lovely, Dark, and Deep, Carolyn Monastra-Beneath any lovely, ethereal surface something dark and mysterious may be hidden. Filmed in Iceland, this scenario describes not just a literal landscape - but that of the psyche as well.



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Extremely Shorts 12
June 27-28, 2009

Juror: Bill Arning, Contemporary Arts Museum Houston


I am the Blueberry by Al Herrmann

Frog Jesus by Ben Peters

Killin' It - Economic Crisis by Caroline Peters

The Isthmus of Kansas by Christopher M Cassidy

Galvest-Gone by David Purdie

Landscape Architect by Diana Estrada & Joy Harris

A Confession by Erik Levine

GOAT by Gabriela Trzebinski

My Secret Love Affair with Matt Gonzalez by Gordon Winiemko

The Order by H. David Waddell

Window by Jeremy Newman

The Vase by Jeremy Newman

This is a type of freak show parthenogenesis! by Krista Hoelfe

"Gone" in 60 Seconds by Kristen Galvin, Spin by L Ashwyn Collins

The Catch by L Ashwyn Collins

This Is Not The Sun by Lili Chin

Just The Way You Are by Liz Rodda

Unknown Movie by Liz Rodda

Introducing: Cloud of Funk by Mark Walley & Angela Guerra

Hands by Michael Brims

Mouthby Michael Brims, Oscillating Fan by Rob Tyler

Pandemic Control by Robert Ziebell

12 Flowers by Rosebud Pettet & K. Markle

Moth by Shannon Benine

Ground Control by Sigfried Fruhauf

Faces by Teresa A Bayer



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Extremely Shorts 11
June 28-29, 2008

Juror: Ed Halter, New York Underground Film Festival


Girl U Want (3:00) by Kirt Markle & Rosebud Pettet, New York, NY -Animation: naughty girls act up!


Rise (2:55) by Ann Steuernagel - Cambridge, MA-A video loop composed from found 16mm footage. It is at oncea reference to a celestial eventcascading fi lm frames and theerotic interaction between two young men.


Astrowhirled (2:55) by David Purdie - Houston, TX-Dream sequence involving Houston’s former landmark amusement park- Astroworld.


The Magic Top (2:30) byJoost van VeenRotterdam, The Netherlands-Film about the colored inner life of an exceptional spinning top.


Red Nitro (1:00) byChristoph Weihrich - Austria-Lots of found footage, sound and other stuff in this fl eeting redgesture (an homage to Norman McLaren’s Loops).


The Toaster (2:57) Ian Price – Houston, TX-An unnamed protagonist finds a toaster in a barren indoor dreamscape.


I Look Forward To It (1:00) by Ellen Lake - Oakland, CA-A short conversation between two people sharing the screen, yet situated seven decades apart.


Outlaw (2:53) byAnn Steuernagel - Cambridge, MA-A “recycled” cowboy drama from the silent era.

Chiquita Gordita (3:00) byStephanie Saint SanchezHouston, TX-Big Girl Icons living la vida loca.


Untitled 2 (1:38) by Fernando Morillo - Brooklyn, NY-Dismembering my body into three parts results in a choreography of sorts.


Lola (2:45) byMike Rollo - Verdan, Quebec-Through eyes of pure contentin light and darkness, to objectsstrange and shifting, a cat’s curiosityto all things moving.


Cafeteria (2:30) byMike Kirby and Patrick Girardet,Houston, TX-A collaboration between a studentand teacher at Lanier MiddleSchool.


Lietuvos Bankas (2:30) byBarbara Musil,Salzburg, Germany-In this short, elements from Lithuanian banknotes become independentand tell their short butdramatic storypaths of g (1:30)


Dietmar Offenhuber,Cambridge, MA-A variation on Stanley Kubrick’s Paths of Glory: A long traveling shot of a WWI trench is reduced to it’s essentials, the path of the camera and the geometrical relations of the set.

May 1 (3:00) by Jenny Stark - Sacramento, CA-Manny Gale, a retired professor of 42 years talks about becoming adocumentary filmmaker at the age of 82.

Mermaid Dreams (1:06) by Camilo Gonzalez - Houston, TX-A Russian expatriate talks abouther experience in the States andhow her dreams shifted and transformed.


Who I’ll Be (3:00) byBrandon van Meter- Sacramento, CA-The filmmaker’s cousin describes his desire to join the Marines (andimpending deployment) in unexpectedways.


Goaty (0:53) byAllison Hunter - Houston, TX-Set in a post-apocalyptic landscape, a petting zoo goat morphs into a scene while an ominouspresence off camera passesnearby.


Let’s Not Keep Score (1:00) byEllen Lake - Oakland, CA-Combining black and white 16mm fi lm from 1941 and cell phonevideo, Betty and Josh hit tennisballs back and forth across thescreen and across time.


Rough Days/Green Thumbs(0:41) by Jessica Leza - Humble, TX-Created from over 200 images, this short demonstrates the tragic beauty of transformation.


My Dixie Darling (1:00)by Chris Kennedy-San Francisco, CA-A cowboy in my hand.


Ceibas: the unseeable exchange of our parts (2:10) byEvan Meaney - Iowa City, Iowa-Using a process which destabilizeddigital video, this work approximatesa space of transition,linked to the impossibility of someforms of representation.


3 Minutes (3:00) byChristoph Brunner-Vienna, Austria-An experiment in cinematic timecompression by Austrian artistChristoph Brunner, documents thelook and feel of a train platformin Passau, Germany, on threeseparate occasions for a durationof four hours each.


The Cruel Month (3:00)by Joe Merrel - Los Angeles, CA-Springtime in the park. The pieceis comprised of video framesarranged as a procession in 3-dimensional space. It is part of alarger work.


Zero (2:56) byAnabela Costa - Lisbon, Portugal-Minimal emptiness.


Moving Landscape 05 (3:00) by Verena Resche - Austria-A park. An urban scene. Theprogression of the film graduallymerges and mixes the two, creatinga single image.


I’d Rather Have a Puppy (1:13) by Sarah Grass - Houston-Stop-motion birth of a dachshund puppy from a human vagina. (plaster, plastilina, acrylic, paint,and fabric).


Nook and Cranny (3:00) by Francien van Everdingen-Rotterdam, The Netherlands-A film from the point of view of a large green carpet.

 

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Extremely Shorts 10
June 30th-July 1st, 2007

Juror: Jytte Jensen of New York’s MoMA


PARENTAL GUIDANCE SUGGESTED by Dane Boedigheimer,Bakersfield, California (0:37)-A group of kids decide to watch a TV program they were told not to view.


AURORA AND THE SEA by Charlotte Taylor,Iowa City, Iowa (1:04)-A girl’s journey to the sea.


I WAS NEVER GLAMOROUS by Ellen Lake,Oakland, California (1:00)-A short contemplation on balance, preservation, time and technology.

PATIENCE by Mike Rollo,Montreal, Quebec, Canada (2:30)-An examination of the wind, with all in-camera edits.


SIGNS by Neil Bryant,Chichester, West Sussex, England (1:20)-An exploration of the mediated representation of the child/childhood and questions its impact on cultural symbolism and meaning.


PEN PALS by Mark Sullivan,Houston, Texas (3:00)-How did people hook up before the internet?


A ZEITGEIST (EXCERPT) by Ray Sweeten,Ridgewood, New York (3:00)-An adaptation of Ovid’s Metamorphoses set against the backdrop of the Onderdonk House in Ridgewood, NY.


CORNER, LOS ANGELES by Joe Merrell,Los Angeles, California (3:00)-An experiment in the spatialization of time.


NO DIRECTION #1 by Catherine Kunze,Copenhagen, Denmark (3:00)-Always on the move -- collecting settings for my mighty dreams.


COFFEE & MILK by Mary Magsamen & Stephan Hillerbrand, Houston, Texas (3:00)-Abstracted images of coffee & milk, transforming the everyday into the cinematic.


BELOW by Laura Harrison,Houston, Texas (2:46)-A dream journey beneath the surface.


WATER, ROCKS & SAND by David Morrow Guthrie,Houston, Texas (3:00)-The abrasive interaction between water and land.


KING OF THE SKIES by Ebony Porter,Houston, Texas (2:52)-A response to my life in America. Named after Eugene Boudin


LURK by Jeremy Newman,West Windsor, New Jersey (2:18)-This video examines cinematic voyeurism, emphasizing the invasive nature of the lens, and suggests a beauty threatened by violence.


SNEEZE by Yu Araki,Tokyo, Japan (2:02)-The elongated sneeze not only creates absurdity, but also poses the aesthetic potential of an action that is normally concealed.


PROJECT by Jennifer Guerin,Austin, Texas (1:19)-The movement of fluid as it rises up from its source. This piece references the body yet remains obscure, allowing a variety of interpretations.


AUTHORITY HEAD EXORCISM by Daniel J. King, Reynoldsburg, Ohio (2:25)-Multi-layered visual expression of time spent as a propagandist in a psychological landscape of conflict. Found footage and 16 mm manipulated with a laser printer.


WE HEAR SIRENS by Alex Harder,Austin, Texas (2:59)-A childhood friend of Alex was one of the few to escape the World Trade Center 9/11 disaster. The footage his friend captured has been composed not necessarilyas a political statement but as a memory of images and sounds from his friend’s indescribable experience.


THE STEPPING UP AND GOING UNDER METHODby Megan & Murray McMillan, St. Louis, Missouri (0:53)-A poetic reenactment inspired by the NASA audio recording of a rocket booster unlocking in space, re-entering the Earth’s atmosphere and     crashing in the ocean.


MARKED by Roxanne Claire,Houston, Texas (2:59)-Hands decorated with a script like that once reserved for tombs or addressing the gods. We are marked by what we have lost, forgotten, or never knew we were.


NO ORDINARY DANCE by Arturo Blackmore, Houston, Texas (3:00)-Original music composed and directed by Arturo Blackmore. Special guest: Motaga(Future world fusion poetry)


GINEVRA by Jack Cronin, Houston, Texas (2:45)-A reflection on the physical and perceptual process of decay and transformation.


HORSES by Yu Araki, Tokyo, Japan (0:51)-200+ images of horses sequenced to create a galloping motion. Modeled after Muybridge’s photographs.


THE QUIET GAME by Jeff Boston, New Orleans, Louisiana (2:45)-One man inspires others to join him in rising above a sense of isolation that saturates their culture and imaginations due to systems of power and fear.


RUBBER BAND BALL by Ellen Lake, Oakland, California (2:00)-San Francisco legends Samir and Nabil Kishek worked for more than two years on their quest to build the largest rubber band ball.

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Extremely Shorts 9
June 24-25, 2006

Juried by Kevin Jerome Everson, artist


THE SEA CALLS US HOME by Annie Simpson & Seth Kirby,  Austin, TX & Brooklyn, NY


SCIENCE'S 10 MOST BEAUTIFUL by Jeanne Liotta, New York, NY

THE HILLS ARE ALIVE by Gregg Biermann, Hackensack, NJ

POSSIBILITIES by Fabiola Valencia, Houston, TX

DANCING ON AIR by Derek J. Smith & Van G. Garrett, Houston, TX

WAITING FOR ADNAN by Beth Federici, Columbia, MO

RADIO BRAVO PITCH by Robert Ziebell, Central, TX

FASHION ISLAND by Brady Hammes, Los Angeles, CA

PERIPHERY MURDER MYSTERY by Larissa Banks, Los Angeles, CA

MY BEAUTIFUL VIOLETTA by Gabriella Trzbinski, Houston, TX

THE CONCRETE MAN by Rob Smith, Houston, TX

SCIENCE'S 10 MOST BEAUTIFUL #10 by Jeanna Liotta, New York, NY

LOVE POEM by Jane Reeves, Bloomington, IN

CAN I HAVE 2 MINUTES OF YOUR TIME Brigitta Bodenauer, Austria

BESSIE COHEN by Hope Tucker, Cordova, TN

EGGS by Dane Boedigheimer, Bakersfield, CA

POLKA by Manon Bovenkerk, The Netherlands

More by Bunny Watts, Houston, TX


SVANKMAJER by Jerry King Musser, Columbia, PA


RADIO_INT 37/07 by lia, Austria


XXX AMSTERDAM by Martha Colburn, The Netherlands


BRINGING HOME THE GIRLFRIEND by Jane Reeves, Bloomington, IN


WASHINGTON by Brad Neely, New York, NY


 

 

 

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Extremely Shorts 8
July 16-17, 2005

Juror: Mike Plante, Cinemad


APPLE by Greg Biermann, Hackensack, NJ

AQUEOUS by Laura Harrison, Houston, TX

BECAUSE THEY FALL by Melissa Tvetan, Portland, OR

CRIMENALS by Greg Araya, Portland, OR

CYCLES OF REPETITION by Deborah Wing-Sproul, Stone Ridge, NY

DOS BLOKES by Brian Clark & Jack McWilliams, Austin, TX

EBULLITION by J. Mack, Portland, OR

A EULOGY FOR MEMORY by Karl Lind, Portland, OR

FIRST FALL by Richard Alvarez, San Mateo, CA

INTERLUDE by Joost Van Veen, The Netherlands

THE LIGHT by Rob Smith, Houston, TX

MAGIC HOSTESS by Rob Tyler, Portland, OR

MANAGER'S CORNER by Skizz Cyzyk, Baltimore, MD

MEN ORDERING DONUTS by Dan Monick, Los Angeles, CA

MRS. FLOSSIE by Flora Georgiou, Melbourne, Australia

OBSERVATION 5 by Sanny Overbeeke, The Netherlands

PUSHING COWBOYS by Lily McElroy, Chicago, IL

ROWING by Anna Abrahams & Jan Frederik Groot, The Netherlands

SOLAR KAFFI by Nicole Linde, Portland, OR

SPAM LETTER by Andre Silva, Iowa City, IA

SPRING SONG Aaron Valdez, Iowa City, IA

STILL I REMAIN by Tom Gibbons, Oakland, CA

SUSKIN SISTERS by Kadet Kuhne, Los Angeles, CA

THERE'S SOMETHING ABOUT AUNT MARY by Ben Sayeg, Houston, TX

TRUE STORY by Stephanie Via, Roanoke, VA

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Extremely Shorts 7
June 19-20, 2004

Juror: Craig Baldwin, Other Cinema


FOR ALL MY FRIENDS by Alfonso Alvarex, Berkley CA

THE BODY OF SATAN by Greg Biermann, Hackensack, NJ

COOKIE by Greg Biermann, Hackensack, NJ

ONE OR TWO MOTIONS by paul Druecke, Houstobn, TX

ROWING by Ana Abrahams & JF Groot, Amsterdam, Netherlands

STITCH by Meghann Artes, Sherman Oaks, CA

5AM by Michael van Bakel, Rotterdam, Netherlands

A LIFE by Han-II Cho, Paris, France

MISTEP by Rob Smith, Houston, TX

EPILOGUE by Tim (TES) Sanders, Houston, TX

BUILDINGS AND HOUSES by Ayalon Ben-Ami, Plantation, FL

BILLY LEARNS ABOUT THE BIRDS AND THE BEES by Ayalon Ben-Ami, Plantation, FL

MARGO by Margo Greenlaw and Jen Proctor, Iowa City, IA

SURFACING by Margo Greenlaw and Jen Proctor, Iowa City, IA

WAKE UP by KJ Mooney, Germantown, TN

NEWSPAPER ONLY by Carola Dertnig, Vienna, Austria

SLOW DAY by Jenny Stark, Sacramentp, CA

AXIS OF EVIL:COWBOYS OR INDIANS by Steven Wong, Los Angeles, CA

STUCK ON HAMMERHEAD by Enid Baxter Blader, Los Angeles, CA

MY DRAMA IS YOUR DRAMA by Colin Elliot and Andrew Hamblin, Stow, OH

THE BIGGEST NIGHT IN MUSIC by Kent Lambert, Chicago, IL

BIG SCREEN VERSION by Aaron Valdez, Iowa City, IA

STILLS by Adad Hannah, Montreal, CA

THE LORD HAS CHOSEN by Michael Paulus, Portland, OR

HERE AND THERE by Jacob Mason and Shane Kennedy, Houston, TX

HORROR STORY by Sharad Patel, Houston, TX

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Extremely Shorts 6
June 21-23, 2003

Juror: Matt McCormick, Artist


GRAFFITI TEST #1 by Christian Battle, Toronto, ON

COMPOSITION IN RED by Roger Beebe, Gainesville, FL

A BRIEF REPORT ON FEDERAL ARTS FUNDING by Ted Fisher, Claremont, CA

DEATH IS EVER O'ER MY SHOULDER by Rob Smith, Houston, TX

THE MAGIC NUMBER 5 by Sandra Gibson, New York, NY

STUPEFACTION-WONDER-IMITATION-REJECTION-EXPERIENCE-POSSESSION by Justin Maherly, Philadelphia, PA

THE BASIC INGREDIENTS by Rocco V. Iacovone, Bloomfield, NJ

HOUSE by Wago Kreider, Brooklyn, NY

STATES OF THE UNION- BILL CLINTON by Aaron Valdez, Austin, TX

VENUS by August Galiano, Houston, TX

WHAT WILL I DO?  by Brian Konefsky & Jenette Issacson, Albuquerque, NM

SUSPENDED by Lindsay A. Utz, Portland, OR

SLUICE/ANTS/SPIN/FOG by Carol LaFayette, Bryan, TX

CHRISTMAS 1990 by Jenny Stark, Sacramento, CA

BLENDER: ROTATION TEST 1-3 by Rob Tyler, Portland, OR

THREE SECONDS 12 RINGS by The Kennedy Brothers, Houston, TX

DERAQITOX INFOMERCIAL by Marcos Ramirez & James Lawrence. Albuquerque, NM

WESTWARD HO by Vanessa Renwick, Portland, OR

PLAY TO WIN brent Armstrong & John Bacus, Houston, TX

ZIJKIJERGIJOK by reMI, Renate  Oblak; Vienna, Austria, and Zeist Holland; and MIchael Pinter; Graz, Berlin, Utrecht, and Zeist

DOCUMENT #568 by Santar Institute, Houston, TX

3 SILENT TRIBUTES TO TCHAIKOVSKY by Pey-Jing Li, Houston, TX

FROM SEED TO PAINTING by Maria Guzman, Houston, TX

36 by Norbert Pfaffenbichler & Lotte Schreiber, Vienna, Austria

STORIES OF TERROR FROM SOUTH CENTRAL TEXAS: PART 1 LA LLORONA by Mark Yzaguirre, Anderson Wrangle, & Jenny Stark,
Houston, TX & Sacramento, CA

MAGIC MOUNTAIN by Hackworth Ashley, Savanna, GA

L'AIR DU TEMPS by Jeanne Liotta, New York, NY

STATES OF THE UNION- GEORGE W. BUSH by Aaron Valdez, Austin, TX

DIRTYSOCKS by Jenn Szabo & Bryan Eaves, Sacramento, CA


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Extremely Shorts 5
June 22-23,2002

Juror: Anne Bray, Director of LA Freeways


TECHNO-DOMINATOR IV: FEAR OF A GREEN PLANET by Richard Castrillion. Fernando Castrillion & Patrick Brooks, Houston, TX

INTIMATE INTERVIEWS: SEX IN LESS THAN 2 MINUTES by Maxi Cohen, New York, NY

UNTITLED by Christina Bello, Gainesville, FL

MY AMERICA by Victoria del Carmen Perez, Houston, TX

SHAKEY by The Art Guys, Houston, TX

WAR by Dianna Ray, Houston, TX

UNTITLED by Drae Thomas, Houston, TX

PAPA SMURF by Rebekah Rutkoff, Brooklyn, NY

I-10 WEST by Jenny Stark, Houston, TX

THEY WILL CURE WHAT AILS by Enid Baxter Blader, Los Angelas, CA

ARTIFACT by Christopher Keller, Houston, TX

LICK by Mary Magsamen & Stephen HIllerbrand, Brooklyn,NY

HALLWAY by Aaron Valdez, Austin, TX

MIT MIR (WITH ME) by Kerstin Cmelka, Austria

LADY'S CHOICE by Eugene Leydon, Friendswood, TX

LARRY IN RELATION TO THE GROUND by Ted Fisher, Claremont, CA

THE BALLAD OF COURTNEY JAMES by Steve Collins, Austin, TX

TOP 40 LOVE by John R. Killacky,San Francisco, CA

MICHIGAN 1971 by Eileen Maxson, Houston, TX

AN AMERICAN BOY GROWS UP by Brian Frye, New York, NY

GOING BACK HOME by Louise Bourque, Malden, MA

EIGHTEEN by Laughlin Arts, Pittsburgh, PA

GEORGE IN HOLLYWOOD Edgar Honetschlaeger, Austria

REMEMBERED FACES, FORGOTTEN DREAMS, RIMINATING BALI by Ariana Sulaiman, Houston, TX

FILM/SPEAKS/MANY/LANGUAGES by Gustav Deutsch, Austria

WUSTENSPRINGMAUS by Jim Finn, Chicago,IL

CHILDHOOD by Shizuko Tabata, Japan

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Extremely Shorts 4
June 23-24, 2001
Juror: Ed Halter, Director of New York Underground Film Festival


THE SWIMMER, Usama Alshaibi, Chicago, IL 

GREEN MEANS GO, Roger Beebe, Gainesville, FL 

QUEEN OF THE BEACH, Annelise Breuning, New York, NY 

AURORA PICTURE SHOW INTRO, Claire Chauvin and Patrick Phipps, Houston, TX 

FELINE STATE OF MIND, Jennifer Drummond, Austin, TX 

CIRCUS ACT 2, Enrique Enríquez, New York, NY 

SHARAMBABA, Jim Finn, Chicago, IL 

SUNDAY MORNING, Brian Frye, New York, NY 

SYMPHONY OF A GREAT ACTOR, Michael Gersten, Gainesville, FL 

SOUNDINGS, Sandra Gibson, Berkeley, CA 

ANT FARM TIME CAPSULE, Laura Harrison and Beth Federici, Houston, TX 

IT HURT!, Holly Hinson, Houston, TX 

SIX FEATURES, Takahiko Iimura, New York, NY 

PROZAC & ZANTAK INVADE THE AURORA PICTURE SHOW, Chris Lockwood and Mike Stovall, Houston, TX 

MONKEY VS. ROBOT, Geoff Marslett, Austin, TX 

HOLLYWOOD ZOO, Doug Michels, Houston, TX 

VISIT, Jesse Miller, Berkeley, CA 

WHAT THEY FOUND, Toto Miranda, Austin, TX 

1969 IN A FLASH, Pepper Mouser, Bellaire, TX 

BEAUTIFUL BLONDE BOOMERANG, Mark O'Connor, Houston, TX 

MEXICAN SUITCASE, Stephanie Saint Sanchez, Houston, TX 

BOXER REBELLION, John Sears, Chris Melia, Sara Reavis, Houston, TX 

HERE'S WHERE I'M COMING FROM, Jerusalem Singleton and Mindy Faber, Chicago, IL 

A VOICE WITHIN, Rob Smith, Houston, TX 

HOW DOES ELECTRICITY WORK?, Jenny Stark, Houston, TX 

PRAISE YOU, Kirsten Stoltman, Chicago, IL 

THE BLUNT PLACE, Street Level Media, Chicago, IL 

LINE, Siebren Veersteg, Chicago, IL 

LONE STARS: SON, Gary Watson, Houston, TX 

MY FAVORITE THINGS, Willy Watson, Berkeley, CA



...............................................................................................................................................................................................................


Extremely Shorts 3
June 24-25, 2000

Juror, Rebecca Campbell, The Austin Film Society


WHAT BOYS WANT Roger Beebe, Durham, NC 

THE STRANGER, Katrina Massey, Houston, TX 

PITCH, Abigail Cohen, Forest Hills, NY 

ABSOLUT RENE, Rene Gabri, Brooklyn, NY 

HERE IS A SONG TO REMIND YOU OF ALL THOSE WHO ARE NOT HERE, Willy Golden, Adam Goldman, & Jenny Stark, Los Angeles, CA and Houston, TX 

OUR MISSION STATEMENT, Jenny Stark's 8th grade class, Oakwood School, North Hollywood, CA 

NOIR, Ward Jenkins, Decatur, GA 

DEMARCATION, Jean Yi, San Jose, CA 

DUST DEVIL, David Sullivan, New Orleans, LA 

AUTUMN BAMBOO, Ching Clara Chan, Bryan, TX 

HOUSE FLY, Nancy Buchanan, Santa Clara, CA 

ACHE TO and LANDSCAPE, Enid Baxter Blader, Los Angeles, CA 

BURT THE TURTLE, Beth Federici & Laura Harrison, Houston, TX 

FIRE SPINNER, Paul Harris, Houston, TX 

TEXAS GAS POWERED LEAF BLOWER HOCKEY, Bill Daniel, Austin, TX 

UNRAVELING, Shannon Raske, Houston, TX 

THE TITANIC, Priya Kambli, Houston, TX 

THE PEDESTRIAN FIELD TRIP, Darryl Graff & William Garrcia, New York, NY 

WALKING SLEEP, Rachel Johnson, Evanston, IL 

HOUSE OF THE CENTURY, Beth Federici, Laura Harrison, & Doug Michels, Houston, TX 

FREEZER, Mark Rakocy, Beford, OH 

SATISFACTION, Jack Stenner, Bryan, TX 

LULLABY, Usama Alshaibi, Chicago, IL 

THE TALKING RECORD FOR BOYS, Rob Smith, Houston, TX 

CHRISTMAS SHOPPING WITH THE BOGARTS, Casey Leydon & Russel Etchen, Houston, TX 

GIVE ME BACK MY CULTURE, Kanemaki Kazumi, Tokyo, Japan 

FLIP FILM, Alfonso Alvarez & Ellen Eugelstad, Berkeley, CA 

DURATION, Solange Fabiao, New York, NY 

WEEDEATER MASSACRE, Michael A. Daleo & Ingo Neuhaus, Houston, TX 

HEARING IMAGES, Ann Rudnicki, Houston, TX


...............................................................................................................................................................................................................


Extremely Shorts 2
June 19-20,1999

Jurors: Andrea Grover, Aurora Picture Show ; Jennifer McKay, The Orange Show Foundation; Jack Stenner, Purse Building Studios


Adbusters, (The Media Foundation) Vancouver, BC 

The Art Guys, Houston, TX 

Johannes Birringer, Houston, TX 

Enid Baxter Blader, Claremont, CA 

Torsten Z. Burns, New Haven, CT 

Scott Calhoun, Houston, TX 

Rene Gabri, New York, NY 

John Gann, Bethsheda, MD 

Shalom Gorewitz, New York, NY 

Paul Harris, Houston, TX 

Al Herrmann, Houston, TX 

Andy Mann, Houston, TX 

Doug Michels, Houston, TX 

Angeles Romero, Houston, TX 

Kiriko Shirobayashi, New York, NY 

Dolan Smith, Houston, TX 

Jenny Stark, Austin, TX 

Brent Steen, Houston, TX
 


..................................................................................................................................................................................................................................................................................


Extremely Shorts 1
June 20, 1998




Bill Daniel * Austin 

Lori Daniels * Chicago 

Bill Davenport * Houston 

Mark Frohman * houston 

Frances Méndez-Edwards * San Francisco 

Mary Hackett * Chicago 

Kate Haug * San Francisco 

Matthew Konicek * Chicago 

Brent Lagerman * New York 

Andy Mann * Houston 

Gerrie McCall * Austin 

Jennifer McKay * Houston 

Robert Montgomery * Houston 

Darren Newton * Chicago 

Patrick Phipps * Houston 

Dolan Smith * Houston 

Joanna Spitzner * Columbus

 


©2012, Aurora Picture Show